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Lina
Lina first gained a loyal following in 2001 with her first album, “Stranger on Earth” on Atlantic Records. After initially turning heads for her beauty and penchant for Eastern-inspired clothing on the album cover, Lina wowed listeners with her unique combination of jazzy, soulful vocals, eclectic grooves, and brutally honest lyrics. Her vocal style immediately drew comparisons to jazz legends like Billie Holliday and Dinah Washington. Lina was marketed as another talented neo-soul artist, but calling her style “old time jazz singer meets cosmic soul” would’ve been a much more accurate description. She signed with Hidden Beach Records in 2002, with the stipulation that her deal include her new independent label, Mood Star. On the “Inner Beauty Movement,” we find Lina a bit more socially conscious in her message this time out, and rather than a stunning picture of her sporting a sari, head wrap, or bindi on the album cover, we see only her eyes, perhaps so listeners will focus on the music contained within, rather than on Lina’s outer beauty. The majority
of songs on “The Inner Beauty Movement” are midtempo grooves
and Lina’s voice perfectly compliments the music throughout. The
highlights on this record are too numerous to mention, but there are several
that will undoubtedly have listeners reaching for the repeat button. These
include “Come to Mama,” a finger-snapping, uptempo tale of
a woman’s unconditional love and support for her man that includes
a hook sung in French, “I Am,” a midtempo cut that’s
as funky as it is uplifting, and the Lina spoke recently about the concept behind “The Inner Beauty Movement,” her ability to sing in seven different languages, and the things that inspire her songwriting.
For more information on Lina, visit: http://www.lina-music.com |
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