| |
|
|||||||||||||||
| |
|
|
|
|
|
|
|
|
|
|
|
|
||||
| |
||||||||||||||||
| |
Amel Larrieux
Already a seasoned songwriter by the time she began winning over R&B/soul fans worldwide as part of the 90s duo, Groove Theory, Larrieux set out on her own in the mid-90s and released an impressive and welcome debut, “Infinite Possibilities,” in 2000. The record contained several soul gems, with lyrics as superb and sublime as the music. From the uplifting “Get Up” to the self-loving “I n I” to the deliciously dysfunctional “Sweet Misery,” Larrieux’s songs often speak to the difficulties facing African Americans, women, and children, and do so in a most eloquent and affecting way. Although she
could’ve easily ridden the neo-soul wave she helped create with
the Groove Theory and Infinite Possibilities records, Larrieux opted to
do a second record that was decidedly different from the first, possibly
due to the freedom of releasing it independently. “Bravebird”
was released in 2004 on Bliss Life Records. The record is packed with
wonderful surprises musically, as Larriuex’s voice can wrap around
a folk or jazz melody as beautifully as it lifts a soul groove. And then
there’s the phenomenal songwriting that we’ve become accustomed
to from Larrieux and her husband and primary collaborator, Laru Larrieux.
The record’s title track is an awe-inspiring homage to a survivor
of female circumcision told over an uptempo, Just a few minutes in Larrieux’s presence reveal a socially conscious, thinking, feeling humanitarian inside the stunning beauty we see on the CD covers. She spoke recently about her music, what inspires and drives her, and her “bliss life” with her husband and children.
For more information about Amel Larrieux, visit http://www.blisslife.com |
|
||||||||||||||
| |
||||||||||||||||
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|